UK

DIY Album

Tales of dark romance and doomed love / album review from Songlines


Here is the complete review we got in Songlines issue n.93 last July. We’re extremely proud to have been reviewed in such a prestigious review… and even got 4 stars **** !

Tales of dark romance and doomed love

This album has nothing, as far as one can tell, to do with the town on the Caspian Sea or hats. The core of this album is enjoyably gloomy traditional Breton singing, from the pure voice of Simone Alves with her partner Yann Gourvil in charge of instruments and programming. The duo’s songs are peppered with Celtic myth and legends, but mainly about doomed love and death. A sample lyric, translated from the Breton, as a lover decides to kill himself after his beloved dies « We’ll lie in the same grave since we haven’t in the same bed, we’ll be married in front of God since we haven’t by the priest. » What is unusual, and probably unique is the « oriental » colours added to the songs (the duo lived in Istanbul for a while) with Yann Gourvil playing oud and saz as well are more usual folk instruments.

Stand-out tracks include « 1932 », which is an effective evocation of the misery of a failed harvest when there’s no bread, while « mouezhioù » sounds a little Bulgarian and is an atmospheric song about a woman who bitterly regrets marrying a drunkard. The electronics used on songs like « Kreñv ‘veld ar garantez » are generally subtly interwoven although at time the drum machines stands out, and not in a good way. By the end of this compelling, if at times slightly claustrophobic, record there is a slight sense that some other players would have added a more rich sonic palette. Still, there are some superb songs rendered in an original way, which suggests considerable potential. The cover Art Work is intriguing too.

Track to try : 1932

Peter Culshaw

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Musicians' Diary

yeah! We’re in fRoots magazine!


We’ve been hardly focusing on music recently, due to all the events that are happening right now in Turkey. We’ll try to tell you soon a few personal feelings from “the inside”. In the meantime, we are proud, really really proud to read this review about our album in fRoots current issue.
***
SIMONE ALVES & YANN GOURVIL Astrakan Project Carga 015

Sometimes I get hoist by my own prejudices and preconceived ideas. So it was that I glanced at the back of this album, noted the legend “A colourful and delicate oriental shine over wild Celtic music”, and the dread vision of Loreeena Newage materialised. And so it festered unplayed in the ‘oh f*** do I really have to listen to this?’ pile on my desk for several weeks, until we were just about to go press with this issue.

Don’t do that at home. Should a copy of this CD appear in your letterbox, hopefully because this review may have alerted you to it, seize it and put it in your player straight away. You will not be disappointed.

For ‘Celtic’, do not read ‘wifty-wafty-synthy-twee’, but instead gloriously full-throated, truly inspiring Breton singing and melodies from Simone Alves. For ‘a colourful and delicate oriental shine’, read ‘roaring, intricate, fiery, imaginative accompaniments’ from multi-instrumentalist Yann Gourvil on oud, electric saz (or baglama as the Turks call it), violin and programmed percussion.

Indeed, for ‘oriental’, don’t read ‘Far East’ as we Brits tend to use it, but ‘from the Eastern reaches of the Mediterranean’. It’s the sort of production that wouldn’t sound out of place on the better contemporary Turkish roots records – it turns out that they’ve lived and studied in Istanbul for the past few years – and it’s obviously a close relative to what Kristi Stassinopoulou & Stathis Kalyviotis did with Greekadelia. In fact I’d christen it Breton-Turkadelia if I hadn’t run out of credit in the ‘name a genre a day’ fund.

When I hit them up for a copy of the biog that this maltreated review copy had obviously got separated from, I found that they were involved in one of the sainted Erik Marchand’s inspiring projects that included Ross Daly, Thierry ‘Titi’ Robin and Keyvan Chemirani. That makes complete sense, and they are justifiably spoken of in the same breath as those iconic names. And if that doesn’t get you people who know about that sort of thing reaching for your credit cards, I don’t know what will.

A truly fabulous, spirit-raising album.
astrakanproject.com

Ian Anderson
***
Really, if you hadn’t heard about our music already, doesn’t it feel like you would love to straight away?
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