Bulgaria

Musicians' Diary

The places that stimulate inspiration


I think the place you are in can strongly influence your inspiration for creating music. Let’s have a quick tour of some places that gave us some inspiration while we were working on the album

The first one is of course the place we live : Istanbul…

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…which is supposed to give inspiration. We had the idea of 1932‘s rhythm while crossing the Bosphorus…

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We worked a lot on Twist en-dro war al leur-goatKreñv veld ar garantez and Mouezhioù in Bulgaria…

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…in this wonderful house…

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…with FOLK TV running all day long…

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Listening to Folk TV all day made me fully understand 9/8 rhythms, and gave us the basis of our song An daou gamerad fidel.

The Traditional Music School of Shiroka Laka [BG]:

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Of course, every day view / environment is extremely relevant…

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Istanbul can be extremely stimulating !

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But also somewhat disturbing…

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Maybe the time has come to look for another stimulating place…

§ Yann

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Album Songs and Lyrics

Mouezhioù


[ lyrics, translation & facts for the 7th song from our album >here< ]

We’ve played this song for many years, in fest-noz (breton balrooms). The dance itself is called kas a-barh, and it has origins in the south of Brittany (in the Vannes area). The rhythm is similar to many traditional dances from various places in Europe and in the Balkans.

Traditionally in that area of Brittany, the assembly will repeat the lyrics after the leader while dancing. Our way to add extra voices however is more influenced by the time we recorded it, in Shiroka Laka, a small mountain village from the Bulgarian Rodopi Mountains. During our breaks we used to watch Folk TV. The result then of course doesn’t sound Bulgarian at all, maybe more Albanian?

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Because of these voices, we named  the song “mouezhioù” which means “voices”. Indeed, most of Breton songs, unlike Irish ones, don’t have any official title, we tend to refer to them by the beginning of the first verse, this one being referred to as “pa garche ma mamm”

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Music & Lyrics: traditional

Instruments : guitar, darbuka

Rythme : kas a-barh dance.

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Pa garche ma mamm ha ma zad / Ma’m behe bet ur chansig vat

Ma’m behe bet ur chansig vat / Ma’m behe mab un avokat

Ma’m behe mab un avokat / Breman m’eus bet un astralhuiad

Breman m’eus bet un astralhuiad / Na oar na devoam nag arad

Na oar na devoam nag arad / Med konduin e c’har a c’huitellad

Med konduin e c’har a c’huitellad / Monet d’en davarn mintin mat

Ha leun an ti a vugale / Pevar ar bank pemb e gwele

Pevar ar bank pemb e gwele / C’hoaz a vo c’hoaz ma vez danvez

C’hoaz a vo c’hoaz ma vez danvez / Ya ma bez bolontez Doue

Ya ma bez bolontez Doue / Bolontez an dud gwech a vez

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If my mother and father had wanted to / I would have been more chanceful

I would have been more chanceful / I had married a lawyer

I had married a lawyer / Now I’m with a drunkard

Now I’m with a drunkard / He doesn’t know how to plow a field

He doesn’t know how to plow a field / But he drives his wagon and whistles

But he drives his wagon and whistles / And goes to the pub early in the morning

And the house is full of kids / Four on the bench and five more on the bed

Four on the bench and five more on the bed /  And there will be more if there is willingness

And there will be more if there is willingness / Or if it’s God’s will

Or if it’s God’s will / And also people’s will sometimes

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Notes: As usual, it’s a personal translation, with no attempt to translate the poetic style, it might not be fully accurate, the purpose is more to give an idea about what it is.

Astrakan world music album on band camp